Switching between the original Groove Agent module and the new Special Agent one is particularly enlightening, as the latter simply sounds more realistic. The new modules in GA3 seriously change the overall impression of the plug-in, moving it away from instant beat creation into the more realistic realms of FXpansion's famous BFD or XLN Audio's Addictive Drums. To be honest, the five complexity options are just different patterns, but with a variety of pieces used in each category you get some great variations.ĭespite being recorded from live performances, both of these new Agents sync to different tempos, as the samples have been sliced up ReCycle!-style. Percussion Agent is a slightly different consideration, but sees Mr Kihlberg on the case again, this time playing 18 percussion instruments, ranging from cowbells to tambourines, each with five levels of complexity. These vary from jazz to funk to rock, and each includes 25 complexity levels, 25 fills and 25 half-tempo renditions. Special Agent adds 15 new styles, all performed on a real kit by Swedish session drummer Rasmus Kihlberg. The two new additions are pretty different to the original module, which is no bad thing. All the same features are there - they're just a little more compact, and you now get to take your pick of the three modules: Groove Agent, Special Agent and Percussion Agent. In essence, this means that although you can run it just like the previous versions in Classic mode (which uses preset patterns and multilayered samples to create its beats), to access the extra modules, you'll need to switch to Dual mode, where you can get at the two new 'Agents': Special and Percussion.ĭual mode features a split upper/lower window design with the potential to run any two modules at once. ![]() GA3 adds its new modules by incorporating a new Dual mode. In addition, both the Style and Complexity sliders can be unlinked, enabling you to select unrelated kits and patterns or vary the complexity of your fills. With 20 different complexities from which to choose, you build dynamics by adjusting this slider during a track (ie, via automation), and there are also Humanise and Shuffle controls to further enhance the 'as played' feel. This is fundamental to the instrument's design and, coupled with the large Complexity slider, makes it easy to produce great performances. As you may have gathered, though, GA3 basically supplies beats for you rather than expecting you to program them yourself. There are various ways to modify this behaviour, such as the useful 1/2 Tempo Feel function, and a number of random options can be applied to both fills and patterns. This means a certain pattern will automatically load a particular kit (although they can be unlinked if you want), and the idea is that you play (or 'run') the pattern in real time and in sync with your host, adding fills and accents as you wish. It basically uses the same system as previous versions, which is built around styles and kits. ![]() GA3 supports the VST, DXi, AU and ReWire standards and also works as a standalone app.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |